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WEDDINGS

This Bride’s Standing Ground Wedding Dress Was Inspired By Burmese Royalty

Finnegan Travers

The couple chose to plan the wedding themselves as they knew they wanted to keep things small, and had already settled on Portugal as the location. “When we first started looking for a venue, we knew we wanted to make the entire celebration feel a lot more like a big family and friend holiday than a traditional wedding,” shares Phway. “Therefore, we focused on finding a venue that would feel most like a holiday home, while having the beauty and uniqueness of a venue to host in. Terra Rosa in Braga was exactly that.”

As a fuss-free bride, Phway considered renting her dress, but after trying several on she realised that they didn’t feel quite like her. A few months into the process, she was looking at Michael Stewart Dunne’s work for Standing Ground on Instagram, and felt a strong urge to start a conversation with him. “I’d always been mesmerised by his striking and elegant custom eveningwear,” she shares. Over the course of the next eight months, they worked closely together on the gown, which Phway wanted made out of jersey, as it was both figure-hugging and comfortable. “Michael also wanted to keep Standing Ground’s iconic beading and embellishments front and centre, with details across the drape line of the skirt, which gave it a futuristic feel,” she adds. They decided to incorporate a long scarf into the look, rather than a traditional veil, and also added a modern, asymmetrical element with one of the arms covered and the other not. “With its fishtail and sweeping lines, it ended up paying amazing homage to traditional Burmese royal wear and also ended up feeling like a blend of East meets West.”

When it came to accessories, Phway kept things minimal to allow the dress to be the centrepiece. “I wore a thin diamond hand chain and necklace passed down by my late Burmese grandmother, who had passed away only a few months earlier,” she says. “I also wore a small diamond ring gifted to me by a friend and bridesmaid from her father’s jewellery studio Sarkisian’s in New York – an ode to my 10 years spent there before London.” Her shoes were nude petal heels from Mercedes Castillo. “I wanted to make the look seem almost barefooted,” she recalls.